Canada & Beyond
Canada et d'ailleurs
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David H. Clendenning, Photographic Artist ABOUT David Clendenning is an architectural photographer concentrating on design and architecture within urban centres. David Clendenning’s unique “culturescape” photography presents compelling views of architectural, heritage and natural spaces from his travels in Canada, Europe and the United States. WORK PORTFOLIO David’s rich and vibrant works are strongly influenced by his love of art and craftsmanship from antiquity to the present, and are guided by a desire to capture the aesthetics, character and history of the landmarks he photographs. A constant theme in his work is a visual emphasis on elements of our heritage environment such as decorative art and design, ornamental ironwork and stone statuary. David continues to build on his photographic collection. Since 2007, David has participated in many juried exhibitions, solo shows and private presentations. His fine art prints are held in private, corporate and institutional collections in Canada, the U.S.A. and abroad. David served as a career Canadian diplomat and Trade Commissioner, 1971-2011. He has strong international roots having lived in the U.S.A., United Kingdom, Nigeria, Turkey and Trinidad and Tobago. David is a graduate of the Algonquin College Photography Techniques Program (2016). He currently lives and works in Ottawa. |
David Clendenning, Photographer & Observer, near Keltic Lodge, Cape Breton, 2014.
The only place where success comes before work is in the dictionary. |
Clendenning Services
- Beautiful, high quality fine art prints
- Reprography for appraisers, museums, collectors, art galleries. estate insurance, art experts, restorers and conservationists.
- Photography work for real estate companies, insurance coverage, developers, companies.
- Portrait photography
- Digital memories - scanning and photographing family memories, memorabilia, homes and cottages, etc
"The photographer has to have a sense of passion and a sense of purpose"
Robert Frank, Photographer, 1956.
When my Photography really started
David Clendenning, Trade Commissioner, Canadian High Commission. Visit to the Maiduguri market, Borno State, Nigeria, 1981, during the State Visit of PM Pierre Trudeau.
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David Clendenning, Trade Commissioner, Canadian Embassy, at Ephesus, Turkey in 1989.
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David Clendenning visiting an old friend, Antiochus 1 from about 50 BC, at the sacred site of Numerat Dag, eastern Turkey in 1989.
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Title: David Clendenning at Izak Casa Palace.
Order No.: A1-1988.
Location: Eastern Turkey
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Title: David Clendenning in Jaipur, India in mid-1990s.
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Title: David Clendenning in Killarney Provincial Park, Northern Ontario, 2012.
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Travel Photos
Visiting New Zealand: David Clendenning and Tony Burger, 2011.
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With friends in London, England.
David Clendenning, Richard Ashton, Paul Phillips, 2011.
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David Clendenning & Gay Haskins in Tuscany, Italy, October, 2014
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David Clendenning with Ely Cathedral guide on the roof of the 800 year old bell tower, October, 2016
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David Clendenning with his Amigo at Gibraltar, 13 Dec. 2017
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David Clendenning in Seville, Spain, November, 2017
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David Clendenning, Former Director and honorary Board member of the Canadian Turkish Business Council (CTBC) with his good friend, Mike Ward, Executive Director, CTBC. Photo taken at the Canada-Turkey Business Conference in Toronto, December, 13, 2018. David served in Turkey at the Canadian Embassy, Ankara, 1987-89, and Mike at the Canadian Consulate, Istanbul in the early 1990s.
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Title: Clendenning Family Christmas in Boston, 2019. Brother Philip, Max, David and Sara.
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Gay Haskins and David Clendenning at the Henley Regatta, 28 June, 2022.
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David Clendenning at the Henley Regatta on a windy day. June 28, 2022.
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David at Castle Howard, Yorkshire. July 5, 2022.
Photography is a craft, an art, a point of view.
'In whatever one does, there must be a relationship between the eye and the heart'
Lengendary French Photographer, Henri Cartier-Bresson 1908-2004
Clendenning Photographic Fine Art Prints
Clendenning fine art photographs allow viewers to connect with locales across Canada and beyond that retain the traces of the natural and culture elements that withstand the passage of time.
David Clendenning believes that its the detail and clarity seen in beautiful prints that creates its universal appeal, and that quality prints are as collectable as other applied visual art formats.
Clendenning prints are a perfect fit for display areas in residences, estates, villas, cottages, museums, government and corporate locations.
David Clendenning believes that its the detail and clarity seen in beautiful prints that creates its universal appeal, and that quality prints are as collectable as other applied visual art formats.
Clendenning prints are a perfect fit for display areas in residences, estates, villas, cottages, museums, government and corporate locations.
Canada - Ocean to Ocean
Illustration of a early Photographer in the Canadian West, 1908
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"Beauty is the visible expression of man's pleasure in labour" |
The natural environment in art
The land has been been an inspiration for Canadian artists since its early settlement. David Clendenning has been strongly influenced by the imagery created by early prominent artists and photographers, particularly those that travelled at the time of the construction of the Canadian Pacific Railway in the late 19th century to capture the beauty of central and western Canada. Their landscape imagery and later the wilderness paintings of the Group of Seven artists in the 1900s had a major influence on Canadian national and regional awareness.
Visual Contribution
Many of Clendenning's wilderness photographs are reminiscent of Canadian historical oil and watercolour landscape artworks.
Visual Contribution
Many of Clendenning's wilderness photographs are reminiscent of Canadian historical oil and watercolour landscape artworks.
Mount Edith Cavell,
Order No.: L3-6709,
Canadian Rockies
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Canadian historical artwork -
Mount Stephen, Canadian Rockies (watercolour),
Frederic Bell-Smith (1846-1923),
Canadian landscape painter.
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Organizations Membership
Professional Association of Foreign Service Officers
NATO Association of Canada
Canadian International Council (CIC), Ottawa
Garden Writers Association
Royal Canadian Military Institute, Toronto
Sir Winston Churchill Society of Ottawa
Heritage Ottawa
Canada-United Kingdom Chamber of Commerce
Canadian Association of New York
Canadian Institute for Mediterranean Studies, Toronto/Ottawa
American Research Institute in Turkey
NATO Association of Canada
Canadian International Council (CIC), Ottawa
Garden Writers Association
Royal Canadian Military Institute, Toronto
Sir Winston Churchill Society of Ottawa
Heritage Ottawa
Canada-United Kingdom Chamber of Commerce
Canadian Association of New York
Canadian Institute for Mediterranean Studies, Toronto/Ottawa
American Research Institute in Turkey
Publications - Photographic Collaborations
Our Legacy of Stained Glass Windows: The Church of the Sacred Heart of the Blessed Virgin Mary, Wolfe Island (near Kingston), Ontario. 2018. Printer: J. C. Accuforms, Scarborough, Ontario. Photographs of the stained glass windows by David Clendenning
The Forgotten Flag: A Rare Discovery of an Early Canadian Red Ensign, Circa 1868 by David Clendenning. bout de papier: Canada's Magazine of Diplomacy and Foreign Service. Vol. 31, No.1, 2019, Ottawa
Precious Glass - The "Ottawa" Window, the Stained Glass Masterpiece of Wilhelmina Geddes by Will Pearson. Photos by David Clendenning. Broadview Magazine, November 2019, Toronto
Red Ensign - Discovering and Saving a Rare Canadian Flag by David Clendenning. Quebec Heritage News. Spring 2023
Irons in the Fire: The Well-wrought Clendinneng Family by David Clendenning, Quebec Heritage New, Vol. 16, No. 3, Summer 2022
The Gates at Rideau Hall: Heritage in Iron and Stone by David Clendenning, Heritage Ottawa Newsletter, June 2023, Volume 50, No. 2
The Windows of St. Alban's - A century of Illumination by Jane Lovell & Diane Berlet with photography by David Clendenning, November, 2023.
The interior of St. Alban’s United Empire Loyalist church is a gem with its stained glass from early Canadian studios and Victorian encaustic tiles from Minton tile works in England. The tiles are on all of the interior walls and each tile has the name of an UE Loyalist. A must visit for those interested in Canadian history.
The Windows of St. Alban’s A century of Illumination by Jane Lovell & Diane Berlet with photography by David Clendenning.
Producing the book was a collaborative effort. Jane is the long-time editor of the Adolphustown-Fredericksburgh Heritage Society newsletter and researcher. Diane is a founding member of the Friends of St. Alban’s, the custodian of the church, and the author of her previous book, The Loyalist Tiles of St. Alban’s. David is a former Canadian diplomat and a well-known fine art and documentary photographer based in Ottawa.
With over 90 brilliantly coloured photographs, this new 86-page book explores the history and artistry behind the extensive memorial stained glass windows of St. Alban's, a Gothic Revival limestone church built in 1884 to commemorate the arrival of the United Empire Loyalists in Adolphustown, Ontario, a century earlier.
By shedding light on the ancient techniques employed in crafting these windows and exploring the symbolism they convey, the stage is set for telling the stories of the benefactors behind these windows and the people in whose honour they were created.
The first memorial windows to be put in place emerged from the McCausland studios of Toronto, by that time a world-renown manufacturer of stained glass. McCausland went on to craft a total of fourteen windows for the church, representing one of the most comprehensive collections of work to be produced by the company. Other well-known Canadian stained glass studios created the remaining windows over the lifetime of the church. A section of the book profiles each of the companies responsible for the many stained glass windows that now fill St. Alban's.
Each of the twenty-one memorial windows is photographed and documented individually. In addition to discussing the symbolism of the images portrayed, the descriptions indicate the date of installation and attribute the work to one of the five stained glass studios involved in making windows for St. Alban's. Indexed biographies chronicle the lives of the people memorialized in the windows and those who sponsored the work.
All proceeds from books sales to go toward the preservation of the architectural, artistic, and cultural heritage of St. Alban's.
TO PURCHASE, GO TO: stalbanscentre.ca/membership/ols/products
Producing the book was a collaborative effort. Jane is the long-time editor of the Adolphustown-Fredericksburgh Heritage Society newsletter and researcher. Diane is a founding member of the Friends of St. Alban’s, the custodian of the church, and the author of her previous book, The Loyalist Tiles of St. Alban’s. David is a former Canadian diplomat and a well-known fine art and documentary photographer based in Ottawa.
With over 90 brilliantly coloured photographs, this new 86-page book explores the history and artistry behind the extensive memorial stained glass windows of St. Alban's, a Gothic Revival limestone church built in 1884 to commemorate the arrival of the United Empire Loyalists in Adolphustown, Ontario, a century earlier.
By shedding light on the ancient techniques employed in crafting these windows and exploring the symbolism they convey, the stage is set for telling the stories of the benefactors behind these windows and the people in whose honour they were created.
The first memorial windows to be put in place emerged from the McCausland studios of Toronto, by that time a world-renown manufacturer of stained glass. McCausland went on to craft a total of fourteen windows for the church, representing one of the most comprehensive collections of work to be produced by the company. Other well-known Canadian stained glass studios created the remaining windows over the lifetime of the church. A section of the book profiles each of the companies responsible for the many stained glass windows that now fill St. Alban's.
Each of the twenty-one memorial windows is photographed and documented individually. In addition to discussing the symbolism of the images portrayed, the descriptions indicate the date of installation and attribute the work to one of the five stained glass studios involved in making windows for St. Alban's. Indexed biographies chronicle the lives of the people memorialized in the windows and those who sponsored the work.
All proceeds from books sales to go toward the preservation of the architectural, artistic, and cultural heritage of St. Alban's.
TO PURCHASE, GO TO: stalbanscentre.ca/membership/ols/products
Front Cover of The Windows book.
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Saint Martin Window #11, Page 50
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MISSION |
FINE ART PHOTOGRAHY |
SPECIALIZING IN |
CULTURESCAPES |
Heritage Architecture |
Decorative Ornaments |
Architectural Surfaces |
Landscapes |
Gardens & Botanicals |
Natural Spaces |
Digital Memories |
Commercial Solutions |
Website Design |
Portraits |
Reprography |
Global & Domestic Assignments |